Dark-pop trio music-film performance with on-screen titles

15 seconds, 16:9 dark-pop music video performance. Use @Image 1 as the strict identity reference for the three women — faces, hair and wardrobe unchanged in every shot. Use @Image 2 as the reference for the two titles only: ultra-condensed heavy caps, bone white, photocopied print surface. The three women perform and sing to camera throughout. Follow the beats below shot by shot with continuous natural camera movement and real physical motion inside every frame — this is live performance footage, never a slideshow, never a sequence of held poses. VOCAL: a single female lead voice, gritty and low, close-mic'd with tape saturation. The lyric lines are: "Dead air on the line" — sung at 2.7 seconds "Run it till it burns" — sung at 6.0 seconds "I don't slow down" — sung at 10.0 seconds Lip-sync locks precisely to these lines on whichever woman is singing. Between the lines all three mouth along, breathe hard and move. [0.0–2.7s] The three stand in near-blackness, sand-beige studio crushed dark. Handheld camera drifting slowly forward, breathing. The platinum-crop woman rolls her shoulders and steps toward lens. Her hair lifts. The auburn woman in mirrored shades tilts her head up. Real movement, low energy, building. Title over the darkness: "DEAD AIR". [2.7–6.0s] The auburn woman in the mirrored shades sings the first line straight into the lens, medium-close, mouth clearly forming the words. Camera whip-pans off her to the platinum-crop woman mid-stride, then crash-zooms back. Hard cuts every 0.3 seconds. Bodies in constant motion — hair whipping, chains swinging, hips driving, hands reaching for camera. Single-frame white flashes between cuts. [6.0–10.0s] All three together, performing hard. The chestnut-haired woman takes the second line, singing directly to lens while the other two move behind her, bodies loose and driving. Camera orbits the trio fast, then whip-pans, then handheld snap-zooms. Cuts every 0.2 seconds. Hair, fur and fishnet all moving. Faces alive, mouths working, sweat catching the light. [10.0–12.7s] Slow down hard, two long shots. The chestnut-haired woman alone, medium-close, singing the third line slowly and holding eye contact with the lens all the way through. Camera almost still, only breathing. Her wet hair moves across her face. She finishes the line and her mouth stays slightly open. [12.7–15.0s] Everything detonates. Flash cutting, single-frame plates, all three thrashing and singing at once, faces close to lens, black frames and inverted negatives between cuts. Camera whipping violently. Final title hammers in: "AFTERBURN". Cut hard to black with the music. MUSIC: driving industrial dark-pop, distorted 808 kick landing at 2.7 seconds, full arrangement through 6.0 to 10.0 seconds with clipped brass stabs and heavy tape saturation, dropping to near silence and one breath at 12.0 seconds for a full second, then the final two seconds at full weight with one metallic crash on "AFTERBURN". The lead vocal sits forward in the mix. Do not imitate an existing melody. Warm sand-beige studio sweep, hard raking light from camera-left, Kodak Portra 400 grain, tape dropout, scanline tear, chromatic fringing, light leaks. Hard cuts only, full speed throughout, every shot carrying real motion. Titles spelled exactly as written, English only.