[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"prompt:x-2085607833408852170":3,"related:x-2085607833408852170":76},{"aspect_ratio":4,"assets":5,"author_handle":6,"breakdown":7,"categories":8,"cover_url":31,"created_at":32,"difficulty":33,"duration":34,"external_id":35,"failures":36,"id":37,"lang":38,"license":39,"like_count":40,"mode_slug":11,"model_id":41,"negative_prompt":42,"prompt":43,"prompt_alt":42,"prompt_chars":44,"provenance":45,"quality_score":46,"reference_desc":42,"resolution":47,"slug":35,"source_author":48,"source_type":49,"source_url":50,"summary":51,"summary_en":52,"tags":53,"title":71,"title_en":72,"usecase_slug":23,"video_source":73,"video_url":74,"view_count":75},"16:9",[],"ManuAGI01",[],[9,21],{"id":10,"slug":11,"name":12,"name_en":13,"kind":14,"description":15,"icon":16,"sort":17,"prompt_count":18,"created_at":19,"updated_at":20},4,"r2v","Omni-Reference","Reference to Video","mode","多图\u002F多视频\u002F多音频作为参考，锁角色锁风格","layers",40,87,"2026-10-04T21:17:52+08:00","2026-10-05T21:48:31+08:00",{"id":22,"slug":23,"name":24,"name_en":25,"kind":26,"description":27,"icon":28,"sort":29,"prompt_count":30,"created_at":19,"updated_at":20},13,"mv","音乐演出","Music Video","usecase","MV、乐队、舞台演出","music",70,63,"\u002Fuploads\u002Fcovers\u002F2085607833408852170.jpg","2026-10-04T23:38:36+08:00",5,15,"x-2085607833408852170",[],631,"en","creator-published",0,"MiniMax H3（创作者标注）","","[REFERENCE CONTROL]\n\nUse the uploaded PART 2 storyboard image as the PRIMARY visual, character, prop, environment, camera, lighting, and narrative reference for the entire video.\n\nUse the storyboard to preserve:\n- exact Part 2 story progression\n- Lena Cruz and Jax Mercer identity continuity from Part 1\n- Rico Vale’s appearance and attitude\n- the dark muscle car\n- black SUV convoy\n- black drive\n- unfinished overpass environment\n- sunset-to-night lighting progression\n- graphic-novel cinematic style\n- chase escalation\n- standoff\n- Jax’s “disabled drive” reveal\n- Lena and Jax recovering the drive\n- final victorious walk-away\n\nDo NOT reproduce the storyboard sheet itself.\n\nThe finished video must contain:\n- no panel borders\n- no storyboard numbers\n- no timestamps\n- no captions\n- no production notes\n- no paper background\n- no reference-sheet layout\n\nConvert the entire board into one coherent finished cinematic animated sequence.\n\n[VIDEO GOAL]\n\nDuration: exactly 15 seconds\nAspect ratio: 16:9 landscape\nVideo style: premium cinematic 2D graphic-novel animation\nGenre: Hollywood-style action thriller \u002F road chase\nTone: fast, stylish, tense, controlled, cinematic, triumphant\n\nNarrative progression:\n\nhigh-speed pursuit\n→ convoy closes in\n→ Jax breaks formation\n→ unfinished overpass\n→ convoy collapses\n→ Rico standoff\n→ disabled-drive twist\n→ brief safe disarm\n→ drive recovered\n→ cool final exit\n\nThis is PART 2 only.\n\nBegin immediately with the chase already underway.\n\nDo NOT repeat the gas-station setup from Part 1.\n\nEnd exactly after Lena and Jax recover the black drive and walk toward their muscle car while Jax delivers the final line:\n\n“Enough to burn his empire.”\n\n[CHARACTER IDENTITY LOCKS]\n\nLENA CRUZ\n\nYoung athletic woman.\n\nAppearance:\n- warm medium skin\n- sharp expressive eyes\n- high dark ponytail\n- red patterned bandana over lower face or around neck\n- fitted dark cropped top\n- light denim shorts\n- practical dark footwear\n- lean athletic proportions\n- confident silhouette\n\nPersonality:\nbold, reactive, fearless, intuitive, aggressive under pressure but controlled.\n\nBeginning emotion:\nfocused pursuit intensity.\n\nEnding emotion:\nquiet satisfaction and confidence.\n\nMovement:\nfast head turns,\nathletic body control,\ndecisive reactions,\nstrong braced posture during the car chase,\nquick efficient movements during confrontation.\n\nKeep identical in every shot:\n- face\n- skin tone\n- ponytail\n- bandana\n- clothing\n- height\n- body proportions\n- age\n- eye shape\n\nJAX MERCER\n\nTall athletic young man.\n\nAppearance:\n- short dark hair\n- intense eyes\n- dark blue patterned bandana covering lower face or around neck\n- dark fitted T-shirt\n- brown \u002F charcoal pants\n- strong controlled physique\n\nPersonality:\ncalm strategist,\nprecise,\nrarely panics,\ntactical,\nprotective.\n\nBeginning emotion:\nextreme concentration.\n\nEnding emotion:\ncontrolled victory.\n\nMovement:\nefficient driving,\nminimal wasted motion,\ncalm body language even during danger.\n\nKeep identical:\n- face\n- hairstyle\n- blue bandana\n- shirt\n- pants\n- height\n- proportions\n- body build\n\nRICO VALE\n\nOriginal crime boss character.\n\nAppearance:\n- stylish dark hair\n- confident narrow eyes\n- clean or lightly stubbled face\n- dark tailored street jacket\n- dark shirt\n- restrained jewelry\n- smug posture\n- sophisticated silhouette\n\nPersonality:\narrogant,\ncalculated,\nconfident,\nbelieves he has already won.\n\nBeginning emotion:\nsmug control.\n\nEnding emotion:\nsurprised and outplayed, but physically unharmed.\n\nDo not make Rico grotesque, psychotic, or horror-like.\n\n[PROP LOCKS]\n\nBLACK DRIVE:\nsmall matte-black rectangular data device.\nSame exact shape and size throughout.\nIt must remain visually readable in Rico’s hand and later Lena’s hand.\n\nJAX’S DEVICE:\nsmall generic dark handheld screen \u002F phone.\nDuring the twist, it displays a simple red warning-style state indicating the drive is disabled.\nAvoid recognizable real-world phone branding.\n\nRICO’S PISTOL:\nstylized generic dark handgun.\nOnly used as a visual standoff prop.\nNo firing.\nNo bullets.\nNo injuries.\nIt is safely knocked away during the confrontation.\n\nMUSCLE CAR:\nsame dark charcoal muscle car from Part 1.\nWide stance.\nLong red rear light treatment.\nStrong low silhouette.\nNo real-world logos.\n\nBLACK SUVs:\nlarge matching dark SUVs.\nConsistent shape and scale.\nNo branding.\n\n[ENVIRONMENT LOCK]\n\nThe chase moves through:\n\n1. desert-edge highway\n2. narrowing service road \u002F construction route\n3. unfinished elevated overpass\n\nPreserve coherent geography.\n\nOVERPASS:\n- concrete barriers\n- construction barricades\n- exposed structural elements\n- orange safety lamps\n- distant city lights\n- dusty road\n- dramatic open skyline\n\nLighting progresses naturally:\n\nbright orange-magenta sunset\n→ deeper red-purple dusk\n→ cool blue night shadows with warm residual horizon light\n\n[WORLD \u002F ACTION PHYSICS]\n\nAll vehicle and character motion should feel grounded and cinematic.\n\nVehicles must show:\n- weight\n- suspension movement\n- tire grip\n- braking momentum\n- body roll\n- road vibration\n- realistic acceleration\n\nNo weightless vehicles.\nNo flying cars.\nNo impossible spins unless physically motivated.\n\nAction follows:\nanticipation → attack → consequence → reaction.\n\nThe confrontation is brief and stylized.\nNo graphic violence.\nNo prolonged fight choreography.\n\nintegrated_multimodal_description:\n\n[SHOT 1] (0.00s–2.10s) — FULL-SPEED PURSUIT\n\nOpen immediately on Jax’s dark muscle car accelerating hard down a sunset highway.\n\nTwo black SUVs close from behind and another runs ahead.\n\nTires throw road grit.\nWarm sunset reflections streak across the car body.\n\nCut inside.\n\nJax grips the wheel firmly, eyes locked forward.\n\nLena braces in the passenger seat, twists around, and tracks the lead SUV through the side and rear windows.\n\nCamera:\nStart with a low rear three-quarter tracking shot beside the muscle car.\nSweep into an aggressive side tracking angle.\nCut to a tight interior two-shot.\n\nCamera speed:\nfast but readable.\n\nEmotion:\nfocused urgency.\n\nDialogue:\n\nLena (sharp):\n\u003Cd>[English] Lead truck. Eleven o’clock.\u003C\u002Fd>\n\nJax (calm):\n\u003Cd>[English] Got it.\u003C\u002Fd>\n\nLena:\n\u003Cd>[English] Don’t lose him.\u003C\u002Fd>\n\nJax:\n\u003Cd>[English] Wasn’t planning to.\u003C\u002Fd>\n\nSound:\n- deep muscle-car engine\n- SUV engines behind\n- tire noise\n- road rumble\n- rushing wind\n- seat and clothing movement\n- low rhythmic action pulse\n\nTransition:\nOne SUV moves alongside and begins closing the gap.\n\n[SHOT 2] (2.10s–4.10s) — THE BOX-IN\n\nTwo black SUVs attempt to compress Jax’s car between lanes.\n\nLena leans toward the passenger window and keeps her eyes fixed on the lead SUV.\n\nHer ponytail and red bandana react naturally to airflow.\n\nJax sees a narrow service lane opening ahead.\n\nHe makes one decisive steering move and sends the muscle car through the gap before the SUVs can close it.\n\nThe car drops onto the service lane with a heavy suspension compression.\n\nOne pursuing SUV follows too aggressively.\n\nCamera:\nHigh rear chase angle showing the box-in formation.\nCut to Lena’s profile tracking the target.\nThen low front-quarter shot as Jax cuts across into the service lane.\n\nEmotion:\npressure → opportunity.\n\nDialogue:\n\nLena:\n\u003Cd>[English] They’re boxing us in.\u003C\u002Fd>\n\nJax:\n\u003Cd>[English] Not anymore.\u003C\u002Fd>\n\nSound:\n- engines climbing\n- tire scrub\n- brief horn\n- gravel spray\n- suspension thump\n- quick percussion hit as Jax breaks formation\n\nTransition:\nThe pursuing SUV enters the service road too fast.\n\n[SHOT 3] (4.10s–6.00s) — CONVOY BREAKS\n\nThe pursuing SUV clips a lightweight construction barrier.\n\nThe barrier spins aside.\n\nThe SUV loses alignment and skids safely into additional barricades, sending sparks and dust sideways.\n\nNo people are visibly injured.\n\nJax’s muscle car continues forward.\n\nAhead, the road rises onto an unfinished elevated overpass.\n\nThe lead SUV carrying Rico accelerates toward it.\n\nCamera:\nDynamic low roadside angle as SUV loses control.\nBrief wide shot of the impact.\nThen long-lens chase composition revealing the overpass ahead.\n\nEmotion:\nmomentary advantage but increasing danger.\n\nDialogue:\n\nLena:\n\u003Cd>[English] One down.\u003C\u002Fd>\n\nJax:\n\u003Cd>[English] Don’t celebrate yet.\u003C\u002Fd>\n\nSound:\n- tire squeal\n- construction barrel impacts\n- metal scrape\n- restrained sparks\n- engine acceleration\n- wind intensifying\n\nMusic:\nadd stronger percussion and low synth pulse.\n\nTransition:\nJax’s car climbs the overpass ramp behind Rico.\n\n[SHOT 4] (6.00s–8.00s) — THE ROAD ENDS\n\nWide cinematic shot of the unfinished overpass suspended above distant city lights.\n\nOnly the lead SUV and Jax’s muscle car remain in the immediate chase.\n\nRico’s SUV swerves past construction barricades.\n\nA final sharp turn forces the SUV to skid sideways near the unfinished end of the overpass.\n\nDust rises.\n\nJax brakes hard and stops several car lengths away.\n\nThe muscle car settles on its suspension.\n\nThe engines idle.\n\nSuddenly the chase becomes quiet.\n\nCamera:\nAerial-like wide establishing shot over the overpass.\nFast tracking behind both vehicles.\nThen controlled side shot of Rico’s SUV skidding.\nSlow push toward the two stopped cars.\n\nEmotion:\nspeed collapses into tense silence.\n\nDialogue:\n\nLena (quiet):\n\u003Cd>[English] End of the road.\u003C\u002Fd>\n\nJax:\n\u003Cd>[English] For somebody.\u003C\u002Fd>\n\nSound:\n- hard braking\n- tire squeal\n- gravel sliding\n- engine rumble falling to idle\n- distant wind\n- action music suddenly strips back to a low pulse\n\nTransition:\nRico’s driver door opens.\n\n[SHOT 5] (8.00s–10.10s) — RICO SHOWS HIS HAND\n\nRico steps from the SUV.\n\nHe casually holds the matte-black drive up between two fingers.\n\nIn his other hand is a generic stylized handgun held low and controlled.\n\nLena and Jax exit their muscle car and stand several meters away.\n\nNo one rushes.\n\nRico smiles.\n\nCamera:\nLow hero-villain angle on Rico stepping out.\nCut to over-the-shoulder from behind Lena and Jax.\nPush into the black drive.\nThen medium three-shot.\n\nEmotion:\nRico feels victorious.\nLena looks ready to move.\nJax remains unusually calm.\n\nDialogue:\n\nRico (smug):\n\u003Cd>[English] You two really came all this way for this?\u003C\u002Fd>\n\nLena:\n\u003Cd>[English] Hand it over.\u003C\u002Fd>\n\nRico (small laugh):\n\u003Cd>[English] You were never supposed to leave that station.\u003C\u002Fd>\n\nJax:\n\u003Cd>[English] And yet, here we are.\u003C\u002Fd>\n\nSound:\n- wind across unfinished concrete\n- distant city ambience\n- SUV cooling ticks\n- fabric movement\n- quiet ominous bass tone\n\nTransition:\nRico raises the drive slightly as if showing off his victory.\n\n[SHOT 6] (10.10s–12.10s) — JAX’S TWIST\n\nJax slowly takes out his small dark handheld device.\n\nThe display shows a simple red disabled-state warning.\n\nHe tilts it toward Rico.\n\nRico looks from the device to the black drive.\n\nHis smug expression disappears.\n\nLena’s eyes narrow with a small knowing smile.\n\nCamera:\nClose-up of Jax’s calm eyes.\nInsert on generic device screen.\nReaction close-up on Rico.\nCut to Lena.\n\nDialogue:\n\nRico:\n\u003Cd>[English] What did you do?\u003C\u002Fd>\n\nJax (calm):\n\u003Cd>[English] The drive was dead before you left the station.\u003C\u002Fd>\n\nRico:\n\u003Cd>[English] You’re bluffing.\u003C\u002Fd>\n\nJax:\n\u003Cd>[English] Try it.\u003C\u002Fd>\n\nSound:\n- subtle electronic confirmation tone\n- wind\n- low bass pulse\n- tiny musical reversal sting\n\nImportant:\nThe technology is fictional and should not depict real hacking procedures or operational instructions.\n\nTransition:\nRico instinctively looks down at the drive.\n\nThat moment creates the opening.\n\n[SHOT 7] (12.10s–13.60s) — THE OPENING\n\nLena suddenly flicks \u002F tosses a harmless small loose object or handful of construction dust across Rico’s line of sight.\n\nRico reacts instinctively.\n\nJax immediately closes the distance.\n\nIn one short stylized motion, he redirects Rico’s weapon arm away and the pistol is knocked loose.\n\nThe pistol slides safely across the pavement away from everyone.\n\nLena moves past Rico and takes the black drive.\n\nRico ends safely on one knee or sitting against a construction barrier, surprised but visibly unharmed.\n\nDo not show detailed combat technique.\nKeep the movement fast, cinematic, and impressionistic.\n\nCamera:\nQuick lateral whip-follow toward Lena’s distraction.\nLow medium shot on Jax’s intervention.\nMacro insert of pistol sliding away.\nClose shot on Lena securing the drive.\n\nEmotion:\nprecise teamwork.\n\nDialogue:\n\nLena:\n\u003Cd>[English] Now.\u003C\u002Fd>\n\nJax:\n\u003Cd>[English] Done.\u003C\u002Fd>\n\nRico (frustrated):\n\u003Cd>[English] You think this changes anything?\u003C\u002Fd>\n\nSound:\n- quick object flick\n- cloth movement\n- short safe physical impact\n- pistol clatter and slide\n- drive grab\n- restrained cinematic hit\n\nNo gunshot.\n\nTransition:\nRed-blue light reflections appear far behind them.\n\n[SHOT 8] (13.60s–15.00s) — RECOVERY \u002F HERO EXIT\n\nLena stands holding the recovered black drive.\n\nJax joins her.\n\nRico remains safely behind them, disarmed.\n\nFar down the overpass approach, faint police lights flash in the distance.\n\nLena and Jax calmly walk toward their waiting muscle car.\n\nThe last orange strip of sunset sits beneath a deep violet-blue sky.\n\nLena looks down at the drive, then toward Jax.\n\nCamera:\nBegin medium on Lena holding the drive.\nSlow lateral move as Jax joins her.\nThen transition into a wide rear hero shot as they walk toward the muscle car.\n\nFinal composition:\nLena and Jax walking side by side.\nMuscle car ahead.\nRed taillights glowing.\nCity beyond.\nPolice lights distant.\nRico left behind safely.\nBlack drive visible in Lena’s hand.\n\nDialogue:\n\nLena:\n\u003Cd>[English] So what’s actually on this thing?\u003C\u002Fd>\n\nJax (without turning):\n\u003Cd>[English] Enough to burn his empire.\u003C\u002Fd>\n\nLena gives a small satisfied look.\n\nSound:\n- distant sirens\n- soft wind\n- slow footsteps on concrete\n- car engine idling\n- fabric movement\n- low triumphant musical rise\n\nFinal musical beat lands precisely after Jax’s last line.\n\nCUT TO BLACK.\n\naudio_description:\n\nGenerate synchronized native stereo audio.\n\n[CHASE ENVIRONMENT]\n\n- powerful muscle-car engine\n- heavier SUV engines\n- realistic tires\n- road vibration\n- wind rush\n- suspension compression\n- gravel\n- construction barrier impacts\n- restrained metal scrapes\n\nDo not exaggerate every impact.\n\n[OVERPASS ENVIRONMENT]\n\n- high-altitude wind\n- distant city hum\n- cooling engines\n- occasional construction material rattle\n- subtle open-space reverb\n\n[CHARACTER VOICES]\n\nLENA:\nyoung adult female voice.\nLow-to-medium register.\nDirect.\nConfident.\nFast during chase.\nVery controlled during confrontation.\nNo excessive shouting.\n\nJAX:\nyoung adult male.\nLow calm voice.\nTactical.\nUnderstated.\nRarely raises volume.\nFinal line delivered coolly and quietly.\n\nRICO:\nadult male.\nSmooth confident voice.\nSmug at first.\nBrief frustration after the disabled-drive reveal.\nNever hysterical.\n\n[NON-DIEGETIC MUSIC]\n\n0.00–4.10:\nfast restrained electronic-action pulse with low bass and tight percussion.\n\n4.10–6.00:\nadd sharper rhythmic accents during SUV spin-out.\n\n6.00–8.00:\nmusic reaches peak chase intensity, then rapidly strips down as vehicles stop.\n\n8.00–10.10:\nminimal tense bass pulse beneath Rico confrontation.\n\n10.10–12.10:\nsubtle rising tension with electronic reversal accent during Jax’s reveal.\n\n12.10–13.60:\none fast controlled action hit.\n\n13.60–15.00:\nwarm low cinematic victory motif, restrained and cool rather than heroic bombast.\n\nMusic must remain below dialogue.\n\n[VISUAL STYLE]\n\nPremium cinematic 2D graphic-novel animation.\n\nVisual qualities:\n- refined ink outlines\n- painterly cel shading\n- mature Western graphic-novel aesthetic\n- realistic stylized anatomy\n- strong silhouettes\n- detailed cars\n- cinematic road environments\n- controlled motion blur\n- dramatic rim lighting\n- filmic contrast\n- rich atmospheric perspective\n- subtle texture\n- expressive eyes\n- consistent faces\n\nDo not make the final footage look like storyboard drawings on paper.\n\nIt should look like the storyboard has become a finished high-budget animated action sequence.\n\n[COLOR \u002F LIGHTING PROGRESSION]\n\n0.00–4.00:\nstrong orange-magenta sunset,\nwarm body highlights,\ncool asphalt shadows.\n\n4.00–8.00:\ndeeper violet sunset,\nred taillights,\norange sparks,\nblue-gray road surfaces.\n\n8.00–12.00:\nsun nearly gone,\ndeep purple sky,\nwarm horizon rim light,\ncool shadows around the characters.\n\n12.00–15.00:\nblue-violet early night,\nremaining orange horizon,\ndistant red-blue police reflections,\nwarm red muscle-car taillights.\n\nKeep skin tones natural within the stylized palette.\n\n[CAMERA RULES]\n\nCamera energy progression:\n\nCHASE:\n- low rear tracking\n- side tracking\n- high chase angle\n- interior close-ups\n- long-lens compression\n- dynamic but readable road perspectives\n\nOVERPASS:\n- large environmental wides\n- controlled brake\u002Fskid tracking\n\nSTANDOFF:\n- slow push-ins\n- over-the-shoulders\n- clean medium compositions\n- reaction close-ups\n\nACTION BEAT:\n- short dynamic lateral move\n- one quick controlled whip-follow\n- no chaotic cutting\n\nENDING:\n- steady wide hero shot\n- slow pull-back or gentle lateral drift\n\nAvoid:\n- excessive Dutch angles\n- random spinning\n- extreme handheld shake\n- repetitive zooms\n- confusing POV changes\n- unreadable cuts\n\n[MOTION \u002F PHYSICS RULES]\n\nCars:\nmust feel heavy and grounded.\n\nSUV losing control:\none physically understandable skid into lightweight construction barricades.\nNo vehicle explosion.\nNo occupants shown injured.\n\nPonytail and bandanas:\nreact naturally to vehicle airflow and wind.\n\nRico’s pistol:\nmust never fire.\nWhen disarmed, it clearly falls away from all characters and remains on the ground.\n\nRico:\nmust remain visibly safe after the confrontation.\n\n[CONTINUITY RULES]\n\nMaintain perfect continuity from Part 1.\n\nLena:\nsame face,\nred bandana,\ndark cropped shirt,\ndenim shorts,\nhigh ponytail.\n\nJax:\nsame face,\nblue\u002Fdark bandana,\ndark shirt,\nbrown\u002Fdark pants.\n\nRico:\nsame face and outfit from his first appearance through final shot.\n\nBlack drive:\nsame matte-black rectangular design.\n\nMuscle car:\nsame dark body and red rear light treatment.\n\nSUVs:\nsame consistent dark styling.\n\nDo not regenerate or change vehicles between shots.\n\nKeep environmental geography coherent:\nhighway → service lane → overpass ramp → unfinished overpass confrontation.\n\nDo not teleport characters or vehicles.\n\n[SAFETY \u002F NEGATIVE CONSTRAINTS]\n\nNo blood.\nNo gore.\nNo wounds.\nNo graphic injuries.\nNo executions.\nNo torture.\nNo cruelty.\nNo civilians harmed.\nNo explosions.\nNo gunshots.\nNo bullet impacts.\nNo detailed weapon handling instruction.\nNo prolonged combat choreography.\nNo realistic depiction of how to disarm a firearm.\nKeep the intervention fast, abstract, cinematic, and non-instructional.\n\nNo storyboard page visible.\nNo panel borders.\nNo timestamps.\nNo captions.\nNo production notes.\nNo subtitles.\nNo title cards.\nNo logos.\nNo brand names.\nNo watermarks.\nNo real-world vehicle badges.\nNo copyrighted characters.\nNo recognizable game characters.\nNo extra protagonists.\nNo random henchmen appearing during final confrontation.\nNo duplicated Lena.\nNo duplicated Jax.\nNo duplicate Rico.\nNo face changes.\nNo hairstyle changes.\nNo wardrobe changes.\nNo missing bandanas.\nNo inconsistent drive shape.\nNo malformed hands.\nNo extra limbs.\nNo distorted vehicles.\nNo teleporting cars.\nNo random environmental changes.\nNo hyperreal live action.\nNo 3D videogame-render appearance.\nNo anime transformation effects.\n\nFINAL FRAME:\n\nLena and Jax walk toward their dark muscle car on the unfinished overpass.\n\nLena holds the recovered black drive.\n\nThe red taillights glow ahead.\n\nFaint police lights flash far behind.\n\nThe last orange light disappears below the horizon.\n\nJax has just said:\n\n\u003Cd>[English] Enough to burn his empire.\u003C\u002Fd>\n\nHold the cinematic hero composition briefly.\n\nCUT TO BLACK.",19481,"creator-verbatim",67,"2560×1440","ManuAGI 🤖 - ( ManuIn )","community","https:\u002F\u002Fx.com\u002FManuAGI01\u002Fstatus\u002F2085607833408852170","加油站逃亡故事·下篇的原生视频效果，原作者在 X 上完整公开了生成 Prompt。 原生视频规格为 15 秒 · 2560×1440。原帖完整公开了 Prompt，本页按原文保留。","The original creator published the complete generation prompt for the gas-station escape, part two on X. Native-video output: 15s · 2560×1440. 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