[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"prompt:flashlight-horror-scenes-through-a-haunted-house-970498":3,"related:flashlight-horror-scenes-through-a-haunted-house-970498":77},{"aspect_ratio":4,"assets":5,"author_handle":6,"breakdown":7,"categories":8,"cover_url":31,"created_at":32,"difficulty":33,"duration":34,"external_id":35,"failures":36,"id":37,"lang":38,"license":39,"like_count":40,"mode_slug":11,"model_id":41,"negative_prompt":42,"prompt":43,"prompt_alt":42,"prompt_chars":44,"provenance":45,"quality_score":46,"reference_desc":42,"resolution":47,"slug":48,"source_author":49,"source_type":50,"source_url":51,"summary":52,"summary_en":53,"tags":54,"title":72,"title_en":73,"usecase_slug":23,"video_source":74,"video_url":75,"view_count":76},"16:9",[],"EndFolding79421",[],[9,21],{"id":10,"slug":11,"name":12,"name_en":13,"kind":14,"description":15,"icon":16,"sort":17,"prompt_count":18,"created_at":19,"updated_at":20},1,"t2v","文生视频","Text to Video","mode","纯文本提示词直接出片","type",10,6544,"2026-10-04T21:17:52+08:00","2026-11-02T04:21:48+08:00",{"id":22,"slug":23,"name":24,"name_en":25,"kind":26,"description":27,"icon":28,"sort":29,"prompt_count":30,"created_at":19,"updated_at":20},8,"cinematic","影视级镜头","Cinematic","usecase","电影感运镜与光影","film",20,126,"\u002Fuploads\u002Fcovers\u002F2103337116922970498.jpg","2026-11-02T03:00:06+08:00",5,47,"x-2103337116922970498",[],7139,"en","creator-published",0,"MiniMax H3（创作者标注）","","Part 1: subject_definitions:\n\u003CSubject 1> Sally is the woman shown in \u003CPicture 1>, the character reference sheet. Preserve her exact face, dark curly hair, white blouse, blue jeans, belt, white sneakers and natural body proportions.\n\nintegrated_multimodal_description:\n\nCINEMATOGRAPHY:\nAuthentic late-1980s\u002F1990s supernatural horror cinematography, shot on a Panavision Panaflex Gold II with a vintage 35mm spherical lens. Natural optical softness, restrained organic film grain, gentle highlight roll-off, realistic motion blur and slightly imperfect handheld camera movement.\n\nCamera: Panavision Panaflex Gold II, vintage 35mm spherical lens, late-1980s\u002F1990s theatrical horror-film appearance.\nFilm: Natural optical softness, fine organic film grain, gentle highlight roll-off, realistic motion blur and imperfect handheld movement. No exaggerated noise or artificial sharpness.\nLighting: Extremely low-key. Sally's iPhone flashlight is the only significant light source. The house is almost completely invisible beyond its beam. Subtle bounced light occasionally reveals her face.\nColor: Muted, slightly desaturated colors, deep natural blacks and realistic skin tones. No artificial blue moonlight or modern HDR.\nAudio: Realistic environmental horror sounds, unsettling silence and sudden scares. NO MUSIC.\n\nThe abandoned house is almost completely BLACK. Sally's iPhone flashlight is the ONLY significant light source. Its narrow beam reveals small fragments of the environment. Natural reflected light occasionally illuminates Sally's face. Deep blacks, muted colors, natural skin texture. No plastic CGI appearance, artificial blue lighting, excessive sharpening, digital HDR or exaggerated noise.\n\nSHOT — 10 SECONDS:\n\n00:00–00:06:\nThe camera follows closely behind Sally at shoulder height as she cautiously explores an abandoned house.\n\nShe holds her iPhone upright, with its REAR FLASHLIGHT facing FORWARD into the darkness. The screen faces Sally.\n\nHer flashlight slowly sweeps across peeling wallpaper, an old portrait and a decaying wooden staircase.\n\nEverything outside the flashlight beam disappears into darkness.\n\nSally walks slowly, listening to the floorboards creaking beneath her feet.\n\n00:06 — THE SOUND:\nA sudden, LOUD, HEAVY THUMP echoes from upstairs.\n\nSALLY IMMEDIATELY STOPS WALKING.\n\n00:06–00:10 — CLOSE-UP:\nCUT IMMEDIATELY to a tight, cinematic close-up of Sally's face as she turns toward the camera, looking past it toward the source of the noise.\n\nHer eyes widen. Her expression changes to genuine fear.\n\nShe freezes completely, listening.\n\nHer lips part slightly. Her breathing becomes shallow and uneven.\n\nHer iPhone flashlight remains raised but trembles slightly in her hand. Its reflected light softly illuminates part of her frightened face.\n\nShe does NOT scream, exaggerate her expression or immediately continue walking.\n\nHOLD THE CLOSE-UP.\n\nSally remains completely stationary, listening for another sound.\n\nEND FRAME:\nA tight close-up of Sally's frightened face, frozen in place, staring toward the staircase.\n\nAUDIO:\nSlow footsteps, creaking floorboards, one sudden heavy thump upstairs, abrupt silence, shallow frightened breathing.\n\nNO MUSIC. NO DIALOGUE.\n\nCRITICAL PERFORMANCE:\nSally MUST stop walking immediately when she hears the thump.\nShe must NOT gasp theatrically, raise both hands, continue forward or resume walking during this clip.\nNatural, restrained, believable human fear.\n\nExactly ONE visible woman. No ghost or additional people. 16:9.\n\nPart 2:\n\nsubject_definitions:\n\u003CSubject 1> Sally is the woman shown in \u003CPicture 1>. Preserve her exact face, curly hair, white blouse, jeans and body proportions.\n\nintegrated_multimodal_description:\n\nCONTINUITY:\nContinue Sally's exploration from the previous clip. Maintain the same house, clothing, iPhone, lighting, film texture and realistic appearance.\n\nCINEMATOGRAPHY:\nAuthentic 1990s supernatural horror film photographed on a Panavision Panaflex Gold II with vintage 35mm spherical optics. Natural optical softness, subtle organic grain, realistic motion blur, deep blacks and restrained colors.\n\nCamera: Panavision Panaflex Gold II, vintage 35mm spherical lens, late-1980s\u002F1990s theatrical horror-film appearance.\nFilm: Natural optical softness, fine organic film grain, gentle highlight roll-off, realistic motion blur and imperfect handheld movement. No exaggerated noise or artificial sharpness.\nLighting: Extremely low-key. Sally's iPhone flashlight is the only significant light source. The house is almost completely invisible beyond its beam. Subtle bounced light occasionally reveals her face.\nColor: Muted, slightly desaturated colors, deep natural blacks and realistic skin tones. No artificial blue moonlight or modern HDR.\nAudio: Realistic environmental horror sounds, unsettling silence and sudden scares. NO MUSIC.\n\nThe house remains almost completely black. Sally's iPhone flashlight is the ONLY significant illumination. No artificial fill, blue moonlight, plastic skin, HDR or excessive sharpening.\n\nSHOT — 10 SECONDS:\n\nCUT TO A NEW CAMERA ANGLE.\n\nThe camera is positioned INSIDE a completely dark room, facing an old wooden doorway.\n\nAt first, the viewer can barely distinguish the door from the surrounding darkness.\n\nThe door slowly CREAKS OPEN.\n\nA narrow beam of light from Sally's iPhone enters the room, briefly shining toward the camera.\n\nSally cautiously peers through the doorway.\n\nShe steps inside, holding her iPhone upright with its REAR FLASHLIGHT pointing forward into the room.\n\nHer flashlight sweeps across dusty furniture, peeling wallpaper and an old wooden chair. Everything disappears back into darkness when the beam moves away.\n\nSuddenly, faint CHILDLIKE LAUGHTER echoes from somewhere behind Sally.\n\nShe freezes.\n\nThe laughter grows slightly louder for a moment, then abruptly stops.\n\nSally quickly turns around, swinging her phone flashlight toward the doorway.\n\nNOTHING IS THERE.\n\nShe nervously retreats toward the hallway.\n\nEND FRAME:\nSally is exiting the room into the dark hallway.\n\nAUDIO:\nLong wooden door creak, slow footsteps, anxious breathing, faint playful child's laughter from behind Sally, abrupt silence.\n\nNO MUSIC. NO DIALOGUE.\n\nExactly ONE visible woman. Never show the child or any ghost. No additional people. Single-camera 16:9.\n\nPart 3:\nsubject_definitions:\n\u003CSubject 1> Sally is the woman shown in \u003CPicture 1>. Preserve her exact face, curly hair, white blouse, jeans and body proportions.\n\nintegrated_multimodal_description:\n\nCONTINUITY:\nContinue immediately as Sally exits the room into the dark hallway. Maintain her exact appearance, iPhone, house architecture and lighting.\n\nCINEMATOGRAPHY:\nLate-1980s\u002F1990s theatrical horror, Panavision Panaflex Gold II, vintage 35mm spherical lens, natural optical softness, fine organic grain, realistic motion blur and subtle imperfect handheld camera movement.\n\nCamera: Panavision Panaflex Gold II, vintage 35mm spherical lens, late-1980s\u002F1990s theatrical horror-film appearance.\nFilm: Natural optical softness, fine organic film grain, gentle highlight roll-off, realistic motion blur and imperfect handheld movement. No exaggerated noise or artificial sharpness.\nLighting: Extremely low-key. Sally's iPhone flashlight is the only significant light source. The house is almost completely invisible beyond its beam. Subtle bounced light occasionally reveals her face.\nColor: Muted, slightly desaturated colors, deep natural blacks and realistic skin tones. No artificial blue moonlight or modern HDR.\nAudio: Realistic environmental horror sounds, unsettling silence and sudden scares. NO MUSIC.\n\nAlmost total darkness. Sally's iPhone flashlight is the ONLY significant light source. The rear flashlight points in the direction she is looking. The screen faces Sally. No artificial fill lighting, blue ambient light, plastic skin, digital HDR or excessive sharpness.\n\nSHOT — 5 SECONDS:\n\n00:00–00:02 — REAR TRACKING SHOT:\nThe camera follows directly behind Sally as she cautiously walks away from the viewer down the dark hallway.\n\nHer iPhone flashlight illuminates only a narrow section of the passage ahead.\n\nSUDDENLY, a LOUD WOODEN DOOR SLAMS somewhere OFF-SCREEN.\n\nSally immediately stops walking.\n\n00:02–00:03.5 — QUICK SIDE CLOSE-UP:\nHARD CUT to a tight SIDE-PROFILE shot of Sally.\n\nA plain, dark hallway WALL is directly behind her. NO DOORS ARE VISIBLE IN THIS SHOT.\n\nStartled by the noise, Sally violently whips her head toward its source.\n\nHer frightened face is clearly visible in profile. Her eyes widen, and her breathing catches.\n\nShe freezes for a brief moment, listening.\n\n00:03.5–00:05 — REAR TRACKING SHOT:\nHARD CUT back to the camera directly BEHIND Sally.\n\nShe turns forward again, away from the camera.\n\nHer iPhone flashlight illuminates the CLOSED WOODEN DOOR farther down the hallway.\n\nSally hesitates, then cautiously begins walking toward it.\n\nEND FRAME:\nRear view of Sally approaching the closed door, with her iPhone flashlight pointing toward it.\n\nCRITICAL CAMERA AND GEOGRAPHY:\nThe slamming door is NEVER SHOWN.\n\nDo not animate any visible door opening or closing.\n\nThe door slam is an OFF-SCREEN SOUND EFFECT ONLY.\n\nDuring Sally's frightened reaction, show her exclusively from the SIDE, with a plain wall behind her.\n\nNever show a door behind Sally while she reacts.\n\nAfter her reaction, cut back to the original rear camera position as she turns forward and begins walking toward the closed door.\n\nAUDIO:\nSlow footsteps, one sudden LOUD WOODEN DOOR SLAM, Sally's startled gasp, frightened breathing and silence.\n\nPart 4: subject_definitions:\n\u003CSubject 1> Sally is the woman shown in \u003CPicture 1>. Preserve her exact face, curly hair, white blouse, blue jeans and natural body proportions.\n\nintegrated_multimodal_description:\n\nCONTINUITY:\nSally has reached the closed wooden door at the end of the dark hallway.\n\nCINEMATOGRAPHY:\nAuthentic late-1980s\u002F1990s supernatural horror cinematography. Panavision Panaflex Gold II, vintage 35mm spherical lens, subtle natural optical softness, fine organic film grain, gentle highlight roll-off, realistic motion blur and natural handheld imperfections.\n\nCamera: Panavision Panaflex Gold II, vintage 35mm spherical lens, late-1980s\u002F1990s theatrical horror-film appearance.\nFilm: Natural optical softness, fine organic film grain, gentle highlight roll-off, realistic motion blur and imperfect handheld movement. No exaggerated noise or artificial sharpness.\nLighting: Extremely low-key. Sally's iPhone flashlight is the only significant light source. The house is almost completely invisible beyond its beam. Subtle bounced light occasionally reveals her face.\nColor: Muted, slightly desaturated colors, deep natural blacks and realistic skin tones. No artificial blue moonlight or modern HDR.\nAudio: Realistic environmental horror sounds, unsettling silence and sudden scares. NO MUSIC.\n\nAlmost complete darkness. Sally's iPhone flashlight is the ONLY significant light source. Brief natural reflections illuminate her face and nearby objects. Everything outside the flashlight beam remains nearly invisible.\n\nNo artificial blue lighting, bright backgrounds, glossy CGI, plastic skin, excessive sharpening, digital HDR or exaggerated grain.\n\nSHOT — 15 SECONDS:\n\nCAMERA POSITION:\nThe camera is INSIDE the final room, approximately eight feet from the closed wooden door, facing directly toward it.\n\n00:00–00:04:\nThe room is almost COMPLETELY BLACK.\n\nA faint metallic CLICK breaks the silence.\n\nThe old door handle slowly turns.\n\nThe door begins creaking open.\n\nA narrow beam from Sally's iPhone flashlight cuts through the darkness.\n\n00:04–00:08:\nThe door slowly opens wider.\n\nSally cautiously peers inside, her frightened face briefly illuminated by reflected light from her phone.\n\nShe hesitates and listens.\n\nSally carefully steps into the room, holding her iPhone upright. Its rear flashlight points forward, illuminating the room ahead.\n\n00:08–00:12:\nSally slowly sweeps the flashlight across dusty furniture, peeling wallpaper and an old broken chair.\n\nThe room appears completely EMPTY.\n\nThe camera remains stationary, facing Sally and the OPEN DOORWAY behind her.\n\nSally's flashlight briefly passes near the camera, creating a natural lens reflection.\n\n00:12–00:15:\nSally exhales nervously.\n\nBelieving the room is empty, she cautiously begins walking toward the camera.\n\nHer flashlight illuminates small sections of the floor and nearby walls.\n\nThe OPEN DOORWAY remains clearly visible directly behind her.\n\nEND FRAME:\nSally is walking toward the camera, with the open doorway behind her. Maintain this exact camera position and room layout for the final clip.\n\nCRITICAL:\nDo not reveal or suggest the ghost in this clip. No silhouettes, shadows or movement in the doorway.\n\nAUDIO:\nMetal door handle clicking, prolonged wooden door creak, slow footsteps, nervous breathing, faint wind and unsettling silence.\n\nNO MUSIC. NO DIALOGUE.\n\nExactly ONE visible woman. NO GHOST. No additional people. Single-camera 16:9.\nNO MUSIC. NO DIALOGUE.\n\nExactly ONE visible woman. No ghost or additional people. 16:9.\n\nPart 5:\nsubject_definitions:\n\u003CSubject 1> Sally is the woman shown in \u003CPicture 1>. Preserve her exact face, curly dark hair, white blouse, blue jeans and body proportions.\n\n\u003CSubject 2> The Ghost is the supernatural woman shown in \u003CPicture 2>. Preserve her corpse-pale face, extremely long tangled black hair, filthy white gown, skeletal hands and unnatural hovering posture.\n\nintegrated_multimodal_description:\n\nCONTINUITY:\nBegin directly from the previous clip's final frame.\n\nThe camera remains INSIDE the dark room, facing Sally and the open doorway behind her. Maintain identical architecture, camera framing, lighting and character appearance.\n\nCINEMATOGRAPHY:\nAuthentic late-1980s\u002F1990s supernatural horror film. Panavision Panaflex Gold II, vintage 35mm spherical lens, natural optical softness, fine organic grain, realistic motion blur and deep natural blacks.\n\nThe room remains almost completely black. Sally's iPhone flashlight is the ONLY significant light source. Natural reflected flashlight illumination briefly reveals the Ghost.\n\nNo supernatural glow, artificial blue lighting, plastic skin, excessive sharpening, digital HDR or exaggerated noise.\n\nFINAL SHOT — 5 SECONDS:\n\n00:00–00:02:\nSally continues cautiously walking toward the camera, holding her iPhone flashlight.\n\nShe nervously scans the apparently empty room.\n\nThe open doorway remains visible directly behind her.\n\nTHERE IS ABSOLUTELY NO GHOST VISIBLE YET.\n\nOnly Sally's footsteps and nervous breathing can be heard.\n\n00:02–00:04:\nSUDDENLY, the audience notices the Ghost HOVERING SILENTLY directly behind Sally, framed by the open doorway.\n\nThe Ghost is suspended approximately one foot above the floor.\n\nHer extremely long, tangled black hair hangs across her corpse-pale face. Her filthy white gown hangs motionless.\n\nSally remains COMPLETELY UNAWARE of the Ghost.\n\nThe Ghost slowly raises her head.\n\nHer hair parts slightly, revealing a horrifying, unnaturally wide SMILE.\n\nHer teeth are filthy, crooked, badly stained and decaying.\n\nHer eyes stare directly toward the camera.\n\nThe smile grows increasingly disturbing.\n\n00:04–00:05 — JUMP SCARE:\nWITHOUT WARNING, the Ghost suddenly lunges forward toward Sally.\n\nHer mouth stretches into a terrifying, unnatural grin, revealing her stained and decaying teeth.\n\nAn EXPLOSIVE SUPERNATURAL SHRIEK erupts.\n\nSally violently flinches in terror.\n\nIMMEDIATE HARD CUT TO COMPLETE BLACK.\n\nCRITICAL:\nThe Ghost appears ONLY during the final THREE SECONDS.\n\nExactly TWO women: Sally and ONE Ghost. Never duplicate either character.\n\nThe Ghost must match her reference sheet precisely. Her horrifying smile and stained teeth are essential.\n\nAUDIO:\nSlow footsteps, nervous breathing, unnatural silence, sudden explosive supernatural shriek.\n\nNO MUSIC. NO DIALOGUE.\n\nSingle-camera 16:9.",15886,"creator-verbatim",67,"1376×768","flashlight-horror-scenes-through-a-haunted-house-970498","FoldingEnd A.I.","community","https:\u002F\u002Fx.com\u002FEndFolding79421\u002Fstatus\u002F2103337116922970498","女子举着手机手电穿过昏暗走廊与房间，长发幽灵随后出现在她身后。视频将生成片段与工作流界面并置，展示角色和场景的连续衔接实验。 原生视频规格为 47 秒 · 1376×768。原帖完整公开了 Prompt，本页按原文保留。","A woman follows her phone flashlight through dark corridors and rooms before a long-haired ghost appears behind her. Generated scenes appear beside a workflow interface in a character and scene continuity experiment. Native-video output: 47s · 1376×768. The creator published the complete prompt, preserved here verbatim.",[55,60,64,68],{"id":56,"slug":57,"name":57,"prompt_count":58,"created_at":59,"updated_at":20},38,"cinematic-realistic",170,"2026-10-04T23:38:36+08:00",{"id":61,"slug":62,"name":62,"prompt_count":63,"created_at":59,"updated_at":20},51,"dark",71,{"id":65,"slug":66,"name":66,"prompt_count":67,"created_at":59,"updated_at":20},52,"fantasy",73,{"id":69,"slug":70,"name":70,"prompt_count":71,"created_at":59,"updated_at":20},59,"creatures",35,"手电探照下的鬼屋连续镜头","Flashlight horror scenes through a haunted house","h3-field-notes","https:\u002F\u002Fh3-field-notes-production.up.railway.app\u002Fmedia\u002Fx-2103337116922970498.mp4",6,[78,118,142,166,196,221],{"aspect_ratio":4,"assets":79,"author_handle":80,"categories":81,"cover_url":92,"created_at":93,"difficulty":33,"duration":94,"id":95,"lang":38,"license":39,"like_count":40,"mode_slug":84,"prompt_chars":96,"provenance":45,"quality_score":46,"reference_desc":42,"slug":97,"source_author":98,"source_type":50,"source_url":99,"summary":100,"summary_en":101,"tags":102,"title":114,"title_en":115,"usecase_slug":23,"video_source":74,"video_url":116,"view_count":117},[],"ManuAGI01",[82,91],{"id":83,"slug":84,"name":85,"name_en":86,"kind":14,"description":87,"icon":88,"sort":89,"prompt_count":90,"created_at":19,"updated_at":20},4,"r2v","Omni-Reference","Reference to Video","多图\u002F多视频\u002F多音频作为参考，锁角色锁风格","layers",40,105,{"id":22,"slug":23,"name":24,"name_en":25,"kind":26,"description":27,"icon":28,"sort":29,"prompt_count":30,"created_at":19,"updated_at":20},"\u002Fuploads\u002Fcovers\u002F2086323087092470161.jpg","2026-10-04T23:38:37+08:00",15,733,24793,"the-boy-who-returned-the-moon-chapter-4-470161","ManuAGI 🤖 - ( ManuIn )","https:\u002F\u002Fx.com\u002FManuAGI01\u002Fstatus\u002F2086323087092470161","《归还月亮的少年 · 第四幕》的 H3 成片。本页保留原始 X 来源链接。公开 Prompt 按原文保留，未翻译、改写或补写。站内视频规格为 15 秒 · 1280×720。","An H3 output for The Boy Who Returned the Moon · Chapter 4. This page retains the original X source link. The public Prompt is preserved verbatim without translation, rewriting, or completion. Hosted-video output: 15s · 1280×720.",[103,106,110,113],{"id":17,"slug":104,"name":104,"prompt_count":105,"created_at":19,"updated_at":20},"anime",76,{"id":107,"slug":108,"name":108,"prompt_count":109,"created_at":59,"updated_at":20},42,"illustration",49,{"id":109,"slug":111,"name":111,"prompt_count":112,"created_at":59,"updated_at":20},"dialogue",113,{"id":65,"slug":66,"name":66,"prompt_count":67,"created_at":59,"updated_at":20},"归还月亮的少年 · 第四幕","The Boy Who Returned the Moon · Chapter 4","https:\u002F\u002Fh3-field-notes-production.up.railway.app\u002Fmedia\u002Fx-2086323087092470161.mp4",66,{"aspect_ratio":4,"assets":119,"author_handle":80,"categories":120,"cover_url":123,"created_at":93,"difficulty":33,"duration":94,"id":124,"lang":38,"license":39,"like_count":40,"mode_slug":84,"prompt_chars":125,"provenance":45,"quality_score":46,"reference_desc":42,"slug":126,"source_author":98,"source_type":50,"source_url":127,"summary":128,"summary_en":129,"tags":130,"title":138,"title_en":139,"usecase_slug":23,"video_source":74,"video_url":140,"view_count":141},[],[121,122],{"id":83,"slug":84,"name":85,"name_en":86,"kind":14,"description":87,"icon":88,"sort":89,"prompt_count":90,"created_at":19,"updated_at":20},{"id":22,"slug":23,"name":24,"name_en":25,"kind":26,"description":27,"icon":28,"sort":29,"prompt_count":30,"created_at":19,"updated_at":20},"\u002Fuploads\u002Fcovers\u002F2086322454679707867.jpg",734,24735,"the-boy-who-returned-the-moon-chapter-3-707867","https:\u002F\u002Fx.com\u002FManuAGI01\u002Fstatus\u002F2086322454679707867","《归还月亮的少年 · 第三幕》的 H3 成片。本页保留原始 X 来源链接。公开 Prompt 按原文保留，未翻译、改写或补写。站内视频规格为 15 秒 · 1280×720。","An H3 output for The Boy Who Returned the Moon · Chapter 3. This page retains the original X source link. The public Prompt is preserved verbatim without translation, rewriting, or completion. 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