[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"prompt:x-2086464559439855938":3,"related:x-2086464559439855938":65},{"aspect_ratio":4,"assets":5,"author_handle":6,"breakdown":7,"categories":8,"cover_url":30,"created_at":31,"difficulty":32,"duration":33,"external_id":34,"failures":35,"id":36,"lang":37,"license":38,"like_count":39,"mode_slug":11,"model_id":40,"negative_prompt":41,"prompt":42,"prompt_alt":41,"prompt_chars":43,"provenance":44,"quality_score":45,"reference_desc":41,"resolution":46,"slug":34,"source_author":47,"source_type":48,"source_url":49,"summary":50,"summary_en":51,"tags":52,"title":60,"title_en":61,"usecase_slug":23,"video_source":62,"video_url":63,"view_count":64},"16:9",[],"derek_wall90176",[],[9,21],{"id":10,"slug":11,"name":12,"name_en":13,"kind":14,"description":15,"icon":16,"sort":17,"prompt_count":18,"created_at":19,"updated_at":20},1,"t2v","文生视频","Text to Video","mode","纯文本提示词直接出片","type",10,388,"2026-10-04T21:17:52+08:00","2026-10-05T21:48:31+08:00",{"id":22,"slug":23,"name":24,"name_en":25,"kind":26,"description":27,"icon":28,"sort":17,"prompt_count":29,"created_at":19,"updated_at":20},7,"ad","广告产品","Product Ad","usecase","电商与品牌短片","tag",114,"\u002Fuploads\u002Fcovers\u002F2086464559439855938.jpg","2026-10-04T23:38:36+08:00",5,15,"x-2086464559439855938",[],582,"zh","creator-published",0,"MiniMax H3（创作者标注）","","【参考图规则】\n@图片1 是最终漆线雕作品的唯一权威参考。 必须严格保持图片1中的作品造型、主体比例、漆面颜色、金色漆线纹样、纹样走向、器型和整体气质。 不得随意增加龙、凤、佛像、文字或不存在的装饰。\n @图片2 是包装盒、包装纸、品牌标识以及产品标签的唯一权威参考。 所有包装结构、颜色和标识均按照图片2执行。\n@图片3 是厦门传统漆线雕工作室的环境与工匠服装参考。 保持真实闽南手工作坊质感，不做古装影视化处理，不制造虚假的“古代作坊”。\n\n【目标】  制作一支15秒、9:16竖版的厦门漆线雕非遗工艺短片。  主题：  “一根线，走完三百年的手艺。”  影片完整呈现：  备料 → 舂打漆线土 → 搓线 → 盘线成纹 → 安金 → 贴金 → 清理完成 → 包装 → 上架  快速剪辑， 字幕驱动， 即使完全静音观看也能理解整个制作过程。  视觉采用真实高端人文纪录广告摄影：  35毫米胶片电影质感， 细腻颗粒， 浅景深， 大量微距， 自然手持， 运动非常克制， 不做旅游宣传片， 不做华丽国潮特效， 不做博物馆宣传片。  重点永远是：  手， 线， 漆， 金箔， 纹样， 时间。\n\n【金色就是时间】  整支影片必须存在一条不可逆的视觉变化：  画面中的“金色”从无到有，并越来越多。  影片开始：  只有黑、 深褐、 砖灰、 暗红， 几乎看不到金色。  漆线开始盘绕以后， 画面出现第一点暖金。  贴金以后， 金色迅速扩大。  作品完成时， 精细金色纹样覆盖主体。  最后上架时， 整个作品被温暖自然光照亮。  每一个镜头都必须比前一个镜头拥有更多的金色。  这个变化不能倒退。  金色就是这支影片的时间。\n\n【固定字幕牌】  整个影片始终只有一个字幕牌。  位置：  画面下方三分之一， 水平居中， 所有镜头完全相同的位置。  造型：  非常克制的小型圆角矩形， 深朱砂红底， 暖米白文字。  两行文字：  第一行： 较细字体， 显示“工序”。  第二行： 粗体， 显示一句极短的动作描述。  字幕牌：  不移动， 不放大， 不缩小， 不淡入淡出， 不跳动。  只在指定剪辑点瞬间更换文字。  字体必须清楚、正确。\n\n【镜头序列】\n 0—1.7秒  主镜头。  深夜般昏暗的传统工作台。  一盏暖色工作灯只照亮双手。  桌面上可以看到：  陈年砖粉质感的细粉、 深色大漆材料、 正在被反复捶打揉合的深褐色漆线土。  工匠双手将材料反复捶、压、揉， 逐渐形成柔软、富有韧性的泥团。  周围环境全部沉入黑暗。  没有金色。  字幕：  “第一道” “捶土成线”\n1.7—3.3秒  极端微距。  一小块漆线土放在传统搓线板之间。  工匠双手稳定向前推动搓板。  原本粗厚的泥条逐渐被搓成长而均匀的细线。  摄影机贴得非常近。  能够清楚看到：  漆线轻微湿润的表面， 细小纹理， 手指压力， 线条被不断拉细。  背景完全虚化。  字幕保持：  “第一道” “捶土成线”\n 3.3—5.0秒  主镜头。  朱红漆面的器物坯体第一次出现。  工匠用极细工具， 将刚刚搓好的柔软漆线轻轻落在器物表面。  第一根漆线贴上去。  只有一根。  然后第二根。  线条开始形成第一个小小的卷云纹。  画面第一次出现非常微弱的暖色高光。  字幕：  “第二道” “一线起纹”\n 5.0—6.8秒  微距插入镜头。  镜头几乎贴着器物表面横向观察。  工匠用竹制细工具推动漆线：  盘， 绕， 结， 堆。  几根不足毫米级视觉尺度的柔软漆线， 逐渐形成具有明显高度差的浮凸纹样。  线条之间非常紧密。  卷云、缠枝、如意形态逐渐出现。  重点展示：  线并不是画上去的，  而是真正一根一根盘出来的。  字幕保持：  “第二道” “一线起纹”\n6.8—8.6秒  主镜头。  器物已经完成大部分漆线纹样。  摄影机非常缓慢地向前推近。  工匠旋转器物。  光线擦过密集漆线表面。  能够看到：  高低起伏， 盘绕结构， 层层叠叠的线性浮雕。  这时依然没有真正的金箔。  只有漆线自身的暖棕色。  字幕：  “第三道” “盘线成雕”\n8.6—10.2秒  全片最重要的声音与视觉高潮。  极端微距。  一张极薄金箔悬在空气里轻微颤动。  几乎没有重量。  工匠屏住动作， 用传统工具将金箔缓缓落向已经完成的漆线纹样。  金箔接触表面的瞬间，  贴住。  镜头保持。  不要快速切走。  细小金箔自然贴合漆线的高低起伏， 金色第一次大面积出现。  字幕：  “第四道” “一片金落下”\n10.2—11.7秒  微距。  柔软毛刷轻轻扫过作品表面。  多余金箔碎屑被一点点扫开。  随着刷毛经过，  清晰、 锐利、 细密的金色漆线纹样从杂乱金箔中显现。  这是第二个视觉高潮。  镜头必须清楚表现：  杂乱金箔  变成  精确金色纹样。  字幕：  “第五道” “金纹醒来”\n11.7—12.8秒  主镜头。  完成后的作品放在深色木质工作台上。  工匠用双手缓慢旋转检查。  没有任何戏剧表演。  只检查：  纹样， 漆面， 金箔， 边缘， 细节。  自然光已经明显进入工作室。  金色纹样被晨光照亮。  字幕：  “第六道” “最后一眼”\n12.8—13.8秒  插入镜头。  作品被轻轻放入定制包装盒。  暖米色软布包裹器物。  盒盖缓慢合上。  手将包装盒推向画面前方。  纸张、 布料、 木盒均保持真实触感。  不要奢侈品浮夸包装。  字幕：  “第七道” “入盒”\n13.8—15秒  最终镜头。  切到极简现代非遗精品店。  温暖自然晨光。  深色木制陈列架。  一只手将完成的漆线雕作品从画面侧面轻轻放到展示台中央。  手退出画面。  作品保持完全静止。  金色漆线在自然光中形成极精细的浮雕反光。  背景虚化。  最后0.6秒不再运动。  字幕：  “第八道” “上架”  画面中央仅允许出现一句极小的中文：  “厦门漆线雕”  下面更小：  “一线成雕”  最终画面必须像高端工艺品牌的静态产品摄影。  绝对不要继续运动。\n\n【色彩】  整支影片限制在以下颜色：  陈年砖粉灰， 生漆深褐， 木质黑褐， 朱砂红， 暖米白， 金箔金。  影片前半段：  黑褐色占主导。  中段：  朱红逐渐出现。  后半段：  金色逐渐占据视觉中心。  禁止：  青蓝科技色， 霓虹， 紫色， 赛博朋克， 高饱和国潮配色。  金色必须来自真实金箔和真实光线。  不能使用发光特效制造金色。\n\n【摄影】  全片使用真实人文纪录摄影语言。  大量：  100毫米微距镜头， 近距离手部特写， 极浅景深， 35毫米胶片颗粒。  摄影机运动非常少。  允许：  轻微呼吸感手持， 一次非常缓慢的轴向推进， 极细微的跟随动作。  禁止：  无人机， 环绕运镜， 快速推拉， 旋转镜头， 甩镜， 变焦冲击， 慢动作， 速度渐变， 镜头炫技。  镜头永远尊重手艺本身。\n\n【声音】  全片没有任何音乐。  没有旁白。  没有人物对白。  没有广告配音。  只使用现场真实声音。\n 0—3.3秒：  凌晨安静工作室。  远处非常轻的环境底噪。  漆线土落在木板上的闷响。  手掌揉压材料的湿润摩擦声。  搓板来回运动产生细密摩擦声。   3.3—8.6秒：  整体声音进一步降低。  细工具轻碰器物表面的声音。  手指移动。  漆线被放下时极轻微的黏连声音。  器物缓慢旋转时木架产生细小摩擦声。   8.6—10.2秒：  这是整支影片最重要的声音时刻。  其他环境声音全部压低。  只留下：  金箔极薄的纸张颤动声， 轻微呼吸， 工具触碰金箔的细小声音。  金箔落到漆线表面的瞬间，  接近安静。  让观众感觉自己离这张金箔只有几厘米。   10.2—12.8秒：  软毛刷扫过金箔。  细碎金箔摩擦。  器物在木架上轻轻旋转。   12.8—15秒：  包装纸折叠。  布料摩擦。  盒盖轻轻合上。  随后进入店铺：  作品底座接触木质展台，  “嗒”。  最后接近完全安静。  只保留非常微弱的室内环境声。\n\n【核心视觉原则】  不要把它拍成：  “传统文化宣传片”。  要把它拍成：  “世界顶级手工艺品牌新品诞生纪录”。  传统来自材料和工艺，  高级感来自摄影、节奏和克制。\n\n【禁止项】  不得出现任何与产品无关的文字。  不得出现旅游宣传标语。  不得出现：  “匠心传承” “非遗之美” “千年文化” “东方美学” 等泛化宣传口号。  不得出现不存在的历史年代。  不得出现虚假的皇宫或寺庙场景。  不得增加和尚、古装人物、舞狮、灯笼等所谓中国元素。  不得把漆线雕表现成木雕、石雕或刀刻。  重点必须明确表现：  搓线， 放线， 盘线， 绕线， 堆线， 贴金。  不得用三维特效让纹样自动生长。  不得让漆线自行移动。  所有纹样必须由人的手完成。  不得使用魔法粒子。  不得让金箔发光。  不得使用人工光晕。  不得使用慢动作。  不得加入速度渐变。  不得加入转场音效。  不得使用呼啸声。  不得出现手机界面。  不得出现电商界面。  不得出现价格。  不得出现二维码。  不得出现网站。  不得出现社交媒体账号。  不得出现水印。  不得增加第十个镜头。  最终画面完全静止。",3839,"creator-verbatim",67,"2560×1440","Derek Wen｜德里克文","community","https:\u002F\u002Fx.com\u002Fderek_wall90176\u002Fstatus\u002F2086464559439855938","工匠先把材料捻成细线，再将金色纹样盘贴并雕饰在红色花瓶表面，末帧双手把成品放上展台。 成片规格为 15 秒 · 2560×1440。原作者在回复区完整公开了 Prompt，本页按原文保留。","An artisan rolls material into fine strands, applies and carves gold ornament across a red vase, and finally places the completed piece on a display stand. 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