[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"prompt:a-schoolgirl-races-through-dense-anime-motion-graphics-270489":3,"related:a-schoolgirl-races-through-dense-anime-motion-graphics-270489":74},{"aspect_ratio":4,"assets":5,"author_handle":6,"breakdown":7,"categories":8,"cover_url":30,"created_at":31,"difficulty":32,"duration":33,"external_id":34,"failures":35,"id":36,"lang":37,"license":38,"like_count":39,"mode_slug":11,"model_id":40,"negative_prompt":41,"prompt":42,"prompt_alt":41,"prompt_chars":43,"provenance":44,"quality_score":45,"reference_desc":41,"resolution":46,"slug":47,"source_author":48,"source_type":49,"source_url":50,"summary":51,"summary_en":52,"tags":53,"title":69,"title_en":70,"usecase_slug":23,"video_source":71,"video_url":72,"view_count":73},"16:9",[],"goldwing_zoome",[],[9,21],{"id":10,"slug":11,"name":12,"name_en":13,"kind":14,"description":15,"icon":16,"sort":17,"prompt_count":18,"created_at":19,"updated_at":20},4,"r2v","Omni-Reference","Reference to Video","mode","多图\u002F多视频\u002F多音频作为参考，锁角色锁风格","layers",40,104,"2026-10-04T21:17:52+08:00","2026-10-08T03:00:04+08:00",{"id":22,"slug":23,"name":24,"name_en":25,"kind":26,"description":27,"icon":28,"sort":29,"prompt_count":29,"created_at":19,"updated_at":20},13,"mv","音乐演出","Music Video","usecase","MV、乐队、舞台演出","music",70,"\u002Fuploads\u002Fcovers\u002F2092053560989270489.jpg","2026-10-07T03:00:10+08:00",5,17,"x-2092053560989270489",[],1836,"zh","creator-published",0,"MiniMax H3（创作者标注）","","Create an extremely dense, highly sophisticated 18-second Japanese anime motion-graphics video.\n\nUse the supplied reference video as a visual and editing reference.\n\nThe goal is NOT to reproduce the reference literally.\n\nInstead, create a more complex evolution of its visual language:\nanime character animation + everyday objects + manga graphics + cinematic camera movement + layered 2.5D compositing + rapid transformations + strong easing and acceleration.\n\nThe result should look like an exceptionally detailed Adobe After Effects composition made from many independently animated layers.\n\nIMPORTANT:\nDo NOT use the visual technique of large rectangles sliding across the screen as transitions.\n\nDo NOT make scenes transition by moving rectangular panels.\n\nDo NOT create the impression of PowerPoint slides or template motion graphics.\n\nTransitions must be caused by actual objects, character movement, camera movement, depth, perspective, particles, paper, hair, environmental objects or rapidly changing compositions.\n\nMAIN CHARACTER:\n\nA short Japanese middle-school girl, approximately 13–14 years old, anime style.\n\nShoulder-length dark brown hair.\nExpressive brown eyes.\nJapanese middle-school sailor-style school uniform.\nWhite blouse.\nNavy skirt.\n\nKeep her appearance consistent throughout the entire video.\n\nShe is the central character.\n\nHer entire body should remain anatomically correct whenever she is shown in a full-body shot.\n\nAnimate:\nhair,\nskirt,\narms,\nhands,\nlegs,\nfeet,\nfacial expression,\neyes,\nbody weight,\nand secondary motion.\n\nThe girl must never appear frozen while only the camera moves.\n\n==================================================\nCORE MOTION PRINCIPLE\n=====================\n\nUse extremely strong Adobe After Effects-style easing.\n\nMotion must NOT have constant velocity.\n\nUse:\n\nslow anticipation,\nrapid acceleration,\nstrong motion blur,\nrapid deceleration,\novershoot,\nsettling,\nbrief holds,\nthen sudden acceleration again.\n\nUse different easing curves for different objects.\n\nSome objects should accelerate immediately.\n\nSome objects should move slowly and then suddenly accelerate.\n\nSome objects should overshoot their destination slightly and settle back.\n\nSome objects should stop abruptly.\n\nCreate rhythmic contrast between extremely fast movement and brief moments of stillness.\n\nThe video should breathe.\n\nDo NOT make everything move at the same speed.\n\nDo NOT make every movement smooth.\n\nUse deliberate timing similar to professional motion-graphics animation.\n\n==================================================\nINFORMATION DENSITY\n===================\n\nDouble the visual information density compared with a normal 18-second AI video.\n\nThis does NOT mean simply adding random objects.\n\nAt almost every moment, multiple independent events should occur simultaneously.\n\nFor example:\n\nthe girl is running,\nher hair is moving,\npapers are flying,\na bicycle wheel is rotating,\nbackground buildings are moving with parallax,\nsmall graphic lines are animating,\nthe camera is orbiting,\nand a foreground object is crossing the lens.\n\nAll movements must have different timing and different speeds.\n\nCreate a layered hierarchy:\n\nFOREGROUND:\nlarge objects extremely close to the camera.\n\nMIDGROUND:\ngirl and important objects.\n\nBACKGROUND:\nenvironment, buildings, sky, graphic elements.\n\nEach layer should move at a different speed.\n\n==================================================\n0–2 SECONDS\n===========\n\nBegin almost completely still.\n\nThe girl is standing in a quiet street.\n\nVery subtle movement:\nhair moving slightly,\na paper sheet on the ground,\nclouds slowly moving,\na bicycle wheel turning very slowly.\n\nHold this calm composition briefly.\n\nThen suddenly:\n\nthe girl's eyes look toward the camera.\n\nA paper airplane rapidly enters the frame.\n\nIt accelerates extremely quickly.\n\nThe camera instantly follows the paper airplane with a strong whip-pan.\n\nStrong motion blur.\n\nThe paper airplane passes extremely close to the lens and completely fills the frame naturally.\n\nThis is the transition.\n\nNO RECTANGULAR TRANSITION.\n\n==================================================\n2–4 SECONDS\n===========\n\nThe camera emerges from behind the paper airplane into a dense anime city.\n\nThe girl is running.\n\nThe camera tracks sideways.\n\nShe runs from right to left.\n\nBackground buildings move in strong parallax.\n\nForeground:\ntelephone pole,\ntree branches,\npaper,\nbicycle,\nschool bag.\n\nSome pass extremely close to the lens.\n\nThe girl suddenly jumps.\n\nUse a strong anticipation movement before the jump.\n\nShe crouches slightly.\n\nThen accelerates upward rapidly.\n\nAt the peak of the jump:\n\nTHE CAMERA SUDDENLY STOPS.\n\nThe girl continues moving.\n\nHer hair and skirt continue with secondary motion.\n\nThen the camera rapidly rotates approximately 90 degrees.\n\nThe entire environment transforms into a monochrome manga world.\n\nThe girl remains in full color.\n\n==================================================\n4–6 SECONDS\n===========\n\nThe manga environment becomes extremely dense.\n\nMultiple recognizable objects appear simultaneously:\n\nschool bag,\nnotebook,\npencil,\nsneakers,\nbicycle,\npaper airplane,\nschool bell,\napple,\nglass of water.\n\nDo not arrange them as static icons.\n\nEvery object has independent movement.\n\nThe bicycle wheel rotates.\n\nThe paper airplane flies.\n\nThe pencil rolls.\n\nThe notebook pages flutter.\n\nThe school bell swings.\n\nThe apple rotates slowly.\n\nThe water inside the glass moves naturally.\n\nThe camera travels diagonally between the objects.\n\nThe objects move at different depths.\n\nSuddenly the pencil accelerates toward the camera.\n\nIt passes directly in front of the lens.\n\nUse the pencil itself as the transition.\n\nNO RECTANGLES.\n\n==================================================\n6–8 SECONDS\n===========\n\nThe camera emerges from behind the pencil into a colorful anime music-video environment.\n\nThe girl is standing in the center.\n\nBehind her:\nfictional school-band performers,\nguitar,\nbass,\ndrums,\nmicrophone,\nspeakers,\nstage lights.\n\nEverything moves.\n\nThe drummer's arms move.\n\nThe guitar player moves.\n\nThe speaker cones vibrate.\n\nStage lights sweep across the scene.\n\nThe girl turns her head.\n\nHer hair follows with delayed secondary motion.\n\nThen she suddenly turns her entire body.\n\nThe camera performs a fast orbit around her.\n\nDuring the orbit, the background changes from the band stage into a summer landscape.\n\nUse a strong acceleration at the beginning of the orbit.\n\nSlow down dramatically near the end.\n\nBriefly hold the final position.\n\n==================================================\n8–10 SECONDS\n============\n\nExtreme close-up of the girl's face.\n\nVery calm.\n\nShe blinks.\n\nHer expression changes subtly.\n\nThe camera slowly moves sideways across her eye.\n\nThe iris contains a reflection of a completely different scene.\n\nThe camera suddenly accelerates toward the reflection.\n\nThe eye reflection expands naturally.\n\nEnter the reflected scene.\n\nNO SIMPLE ZOOM TRANSITION.\n\n==================================================\n10–12 SECONDS\n=============\n\nInside the reflection:\n\na table filled with recognizable everyday objects.\n\nGlass of water.\nPlate with cake.\nApple.\nNotebook.\nPencil.\nAlarm clock.\nSchool bag.\nSmall fan.\nPaper airplane.\n\nAll objects are alive with subtle independent animation.\n\nThe fan rotates.\n\nThe water moves.\n\nThe clock hands move.\n\nThe paper flutters.\n\nThe apple slowly rotates.\n\nThe cake remains physically stable.\n\nThe girl's hair moves from the airflow of the fan.\n\nShe reaches toward the glass.\n\nHer hand moves slowly.\n\nThen suddenly accelerates.\n\nShe touches the glass.\n\nThe water ripples.\n\nAt the exact same moment, the camera performs a rapid lateral movement.\n\nThe glass passes directly in front of the lens.\n\nUse the glass as the transition.\n\n==================================================\n12–14 SECONDS\n=============\n\nThe camera emerges from behind the glass.\n\nThe girl is running outdoors again.\n\nLow-angle camera.\n\nVery fast lateral tracking.\n\nTrees, houses, utility poles, clouds and bicycles move at different speeds.\n\nA bicycle suddenly crosses the foreground.\n\nThe camera follows the bicycle wheel.\n\nThe wheel rotates rapidly.\n\nThen the wheel slows dramatically.\n\nThe camera slows with it.\n\nEverything almost freezes.\n\nBrief moment of silence and visual stillness.\n\nThen:\n\nTHE WHEEL SUDDENLY ACCELERATES.\n\nThe camera is pulled into the spinning wheel.\n\n==================================================\n14–16 SECONDS\n=============\n\nThe spinning wheel transforms into a large technical illustration of the bicycle and motorcycle.\n\nBut do NOT use static technical diagrams.\n\nThe mechanical components move independently.\n\nWheel rotates.\n\nHandlebar turns.\n\nBrake lever moves.\n\nSuspension compresses.\n\nChain moves.\n\nSmall graphic lines animate around the machine.\n\nUse only meaningful readable labels:\n\n\"WHEEL\"\n\"BRAKE\"\n\"ENGINE\"\n\nThe girl walks through the technical layers.\n\nThe camera travels diagonally through the machine.\n\nShe reaches toward the camera.\n\nHer hand becomes extremely large in perspective.\n\nShe suddenly snaps her fingers.\n\nEverything freezes.\n\n==================================================\n16–18 SECONDS\n=============\n\nAbsolute stillness for a brief moment.\n\nThe girl looks directly at the camera.\n\nThen:\n\nALL ELEMENTS EXPLODE INTO MOTION.\n\nPaper airplanes.\nNotebook pages.\nComic lines.\nLeaves.\nGraphic circles.\nSmall photographs.\nPencils.\nMusical notes.\nBicycle parts.\nClouds.\nColored particles.\n\nAll move outward with different acceleration curves.\n\nThe camera rapidly orbits around the girl approximately 180 degrees.\n\nStrong motion blur.\n\nThe girl spins once.\n\nHer hair and skirt follow naturally.\n\nThe camera decelerates sharply.\n\nEverything suddenly becomes clean white.\n\nThe girl remains alone.\n\nShe looks toward the camera.\n\nSmall smile.\n\nReadable Japanese text:\n\n「行こう！」\n\nThe text appears cleanly.\n\nThe girl suddenly runs sideways out of frame.\n\nThe camera follows her for a fraction of a second.\n\nThen abrupt white flash.\n\nEND.\n\n==================================================\nCAMERA LANGUAGE\n===============\n\nCamera movement is a major part of the animation.\n\nUse:\n\nfast lateral tracking,\nslow lateral tracking,\ndiagonal tracking,\ncamera orbit,\n90-degree rotation,\n180-degree orbit,\nlow-angle tracking,\noverhead movement,\nwhip-pan,\nrapid parallax,\nforeground occlusion,\nlens-level object passes,\nsudden stops,\nsudden acceleration.\n\nDo NOT repeatedly move only forward and backward.\n\nDo NOT make the camera continuously fly through tunnels.\n\nCamera movement must have rhythm.\n\nUse:\n\nslow → fast → stop → slow → explosive acceleration → deceleration → hold → fast.\n\n==================================================\nSECONDARY MOTION\n================\n\nEverything should have secondary motion.\n\nHair follows the head with slight delay.\n\nSkirt follows body movement.\n\nPaper bends and rotates.\n\nWater ripples.\n\nClock hands move.\n\nWheels rotate.\n\nClouds drift.\n\nLeaves react to wind.\n\nBicycle components move.\n\nMusicians perform.\n\nSpeakers vibrate.\n\nGraphic elements react to nearby movement.\n\nDo not freeze background objects.\n\n==================================================\nTEXT\n====\n\nUse very little text.\n\nOnly use clearly readable real words.\n\nAllowed examples:\n\n\"START\"\n\"READY?\"\n\"GO!\"\n\"AFTER SCHOOL\"\n\"WHEEL\"\n\"BRAKE\"\n\"ENGINE\"\n\nJapanese:\n\n「放課後」\n「行こう！」\n\nNever generate meaningless text.\n\nNever generate fake Japanese.\n\nNever generate random alphabet strings.\n\nNever generate distorted pseudo-typography.\n\n==================================================\nVISUAL QUALITY\n==============\n\nHigh-quality Japanese anime.\n\nClean line art.\n\nDetailed character animation.\n\nProfessional motion-graphics composition.\n\nDense layered composition.\n\n2.5D depth.\n\nStrong parallax.\n\nCinematic lighting.\n\nControlled motion blur.\n\nSophisticated easing.\n\nStrong anticipation and follow-through.\n\nClear visual hierarchy.\n\nEven though the information density is extremely high, the main character must always remain visually understandable.\n\nThe video should feel like an ambitious professional Adobe After Effects music-video sequence rather than a collection of unrelated AI shots.\n\nNO large sliding rectangles.\n\nNO PowerPoint-like transitions.\n\nNO static object arrangements.\n\nNO meaningless text.\n\nNO random symbols.\n\nNO gibberish.\n\nNO repetitive camera movement.\n\nNO constant velocity.\n\nNO frozen characters.\n\nNO missing limbs.\n\nNO missing lower body.\n\nNO duplicated characters.\n\nNO deformed hands.\n\nPrioritize complex simultaneous motion, strong easing, camera choreography and physical object-based transitions.",12557,"creator-verbatim",67,"864×480","a-schoolgirl-races-through-dense-anime-motion-graphics-270489","goldwing","community","https:\u002F\u002Fx.com\u002Fgoldwing_zoome\u002Fstatus\u002F2092053560989270489","动漫女学生骑车、奔跑并穿过眼睛特写和物件转场，在高密度图形层之间保持连续动作。 原生视频规格为 17 秒 · 864×480。原帖完整公开了 Prompt，本页按原文保留。","An anime schoolgirl cycles and runs through eye close-ups and object-driven transitions across dense motion-graphic layers. Native-video output: 17s · 864×480. The creator published the complete prompt, preserved here verbatim.",[54,58,62,65],{"id":17,"slug":55,"name":55,"prompt_count":56,"created_at":57,"updated_at":20},"food",45,"2026-10-04T23:38:36+08:00",{"id":59,"slug":60,"name":60,"prompt_count":61,"created_at":57,"updated_at":20},42,"illustration",46,{"id":63,"slug":64,"name":64,"prompt_count":45,"created_at":57,"updated_at":20},56,"music-performance",{"id":66,"slug":67,"name":67,"prompt_count":68,"created_at":57,"updated_at":20},57,"motion-graphics",122,"女学生穿越高密度动漫动态图形","A Schoolgirl Races Through Dense Anime Motion Graphics","h3-field-notes","https:\u002F\u002Fh3-field-notes-production.up.railway.app\u002Fmedia\u002Fx-2092053560989270489.mp4",9,[75,112,138,162,182,203],{"aspect_ratio":4,"assets":76,"author_handle":77,"categories":78,"cover_url":89,"created_at":57,"difficulty":32,"duration":90,"id":91,"lang":92,"license":38,"like_count":39,"mode_slug":81,"prompt_chars":93,"provenance":44,"quality_score":45,"reference_desc":41,"slug":94,"source_author":95,"source_type":49,"source_url":96,"summary":97,"summary_en":98,"tags":99,"title":109,"title_en":110,"usecase_slug":23,"video_source":71,"video_url":111,"view_count":90},[],"tanabe_fragm",[79,88],{"id":80,"slug":81,"name":82,"name_en":83,"kind":14,"description":84,"icon":85,"sort":86,"prompt_count":87,"created_at":19,"updated_at":20},1,"t2v","文生视频","Text to Video","纯文本提示词直接出片","type",10,1304,{"id":22,"slug":23,"name":24,"name_en":25,"kind":26,"description":27,"icon":28,"sort":29,"prompt_count":29,"created_at":19,"updated_at":20},"\u002Fuploads\u002Fcovers\u002F2089141649503044017.jpg",15,589,"ja",6973,"multiplication-tables-with-fish-pairs-044017","タナベ | AI動画 × マーケティング","https:\u002F\u002Fx.com\u002Ftanabe_fragm\u002Fstatus\u002F2089141649503044017","橙色猫咪带着九个水池，用成对鱼群和逐拍算式演示二的乘法表。 原生视频规格为 15 秒 · 2560×1440。原帖完整公开了 Prompt，本页按原文保留。","An orange cat guides a nine-pool grid where paired fish and beat-matched equations teach the two-times table. Native-video output: 15s · 2560×1440. The creator published the complete prompt, preserved here verbatim.",[100,103,104,105],{"id":56,"slug":101,"name":101,"prompt_count":102,"created_at":57,"updated_at":20},"sci-fi",51,{"id":63,"slug":64,"name":64,"prompt_count":45,"created_at":57,"updated_at":20},{"id":66,"slug":67,"name":67,"prompt_count":68,"created_at":57,"updated_at":20},{"id":106,"slug":107,"name":107,"prompt_count":108,"created_at":57,"updated_at":20},58,"cg-3d",77,"乘法口诀的九宫格鱼群","Multiplication Tables with Fish Pairs","https:\u002F\u002Fh3-field-notes-production.up.railway.app\u002Fmedia\u002Fx-2089141649503044017.mp4",{"aspect_ratio":4,"assets":113,"author_handle":77,"categories":114,"cover_url":117,"created_at":57,"difficulty":32,"duration":90,"id":118,"lang":37,"license":38,"like_count":39,"mode_slug":81,"prompt_chars":119,"provenance":44,"quality_score":45,"reference_desc":41,"slug":120,"source_author":95,"source_type":49,"source_url":121,"summary":122,"summary_en":123,"tags":124,"title":134,"title_en":135,"usecase_slug":23,"video_source":71,"video_url":136,"view_count":137},[],[115,116],{"id":80,"slug":81,"name":82,"name_en":83,"kind":14,"description":84,"icon":85,"sort":86,"prompt_count":87,"created_at":19,"updated_at":20},{"id":22,"slug":23,"name":24,"name_en":25,"kind":26,"description":27,"icon":28,"sort":29,"prompt_count":29,"created_at":19,"updated_at":20},"\u002Fuploads\u002Fcovers\u002F2090306302966919515.jpg",593,7078,"orange-and-black-street-dance-commercial-919515","https:\u002F\u002Fx.com\u002Ftanabe_fragm\u002Fstatus\u002F2090306302966919515","街舞人物在橙黑几何排版中完成快切动作，以巨型日文字卡收束。 原生视频规格为 15 秒 · 2560×1440。原帖完整公开了 Prompt，本页按原文保留。","A street dancer performs through rapid orange-and-black geometric layouts before a giant Japanese title closes the spot. Native-video output: 15s · 2560×1440. The creator published the complete prompt, preserved here verbatim.",[125,128,132,133],{"id":86,"slug":126,"name":126,"prompt_count":127,"created_at":19,"updated_at":20},"anime",73,{"id":129,"slug":130,"name":130,"prompt_count":131,"created_at":57,"updated_at":20},49,"dialogue",108,{"id":63,"slug":64,"name":64,"prompt_count":45,"created_at":57,"updated_at":20},{"id":66,"slug":67,"name":67,"prompt_count":68,"created_at":57,"updated_at":20},"橙黑街舞品牌快切广告","Orange-and-Black Street Dance Commercial","https:\u002F\u002Fh3-field-notes-production.up.railway.app\u002Fmedia\u002Fx-2090306302966919515.mp4",12,{"aspect_ratio":4,"assets":139,"author_handle":140,"categories":141,"cover_url":144,"created_at":57,"difficulty":32,"duration":90,"id":145,"lang":146,"license":38,"like_count":39,"mode_slug":11,"prompt_chars":147,"provenance":44,"quality_score":45,"reference_desc":41,"slug":148,"source_author":149,"source_type":49,"source_url":150,"summary":151,"summary_en":152,"tags":153,"title":158,"title_en":159,"usecase_slug":23,"video_source":71,"video_url":160,"view_count":161},[],"ManuAGI01",[142,143],{"id":10,"slug":11,"name":12,"name_en":13,"kind":14,"description":15,"icon":16,"sort":17,"prompt_count":18,"created_at":19,"updated_at":20},{"id":22,"slug":23,"name":24,"name_en":25,"kind":26,"description":27,"icon":28,"sort":29,"prompt_count":29,"created_at":19,"updated_at":20},"\u002Fuploads\u002Fcovers\u002F2085607833408852170.jpg",631,"en",19481,"the-gas-station-escape-part-two-852170","ManuAGI 🤖 - ( ManuIn )","https:\u002F\u002Fx.com\u002FManuAGI01\u002Fstatus\u002F2085607833408852170","加油站逃亡故事·下篇的原生视频效果，原作者在 X 上完整公开了生成 Prompt。 原生视频规格为 15 秒 · 2560×1440。原帖完整公开了 Prompt，本页按原文保留。","The original creator published the complete generation prompt for the gas-station escape, part two on X. Native-video output: 15s · 2560×1440. The creator published the complete prompt, preserved here verbatim.",[154,155,156,157],{"id":59,"slug":60,"name":60,"prompt_count":61,"created_at":57,"updated_at":20},{"id":129,"slug":130,"name":130,"prompt_count":131,"created_at":57,"updated_at":20},{"id":63,"slug":64,"name":64,"prompt_count":45,"created_at":57,"updated_at":20},{"id":66,"slug":67,"name":67,"prompt_count":68,"created_at":57,"updated_at":20},"加油站逃亡故事·下篇","The Gas-Station Escape, Part Two","https:\u002F\u002Fh3-field-notes-production.up.railway.app\u002Fmedia\u002Fx-2085607833408852170.mp4",14,{"aspect_ratio":4,"assets":163,"author_handle":140,"categories":164,"cover_url":167,"created_at":57,"difficulty":32,"duration":90,"id":168,"lang":146,"license":38,"like_count":39,"mode_slug":11,"prompt_chars":169,"provenance":44,"quality_score":45,"reference_desc":41,"slug":170,"source_author":149,"source_type":49,"source_url":171,"summary":172,"summary_en":173,"tags":174,"title":179,"title_en":180,"usecase_slug":23,"video_source":71,"video_url":181,"view_count":22},[],[165,166],{"id":10,"slug":11,"name":12,"name_en":13,"kind":14,"description":15,"icon":16,"sort":17,"prompt_count":18,"created_at":19,"updated_at":20},{"id":22,"slug":23,"name":24,"name_en":25,"kind":26,"description":27,"icon":28,"sort":29,"prompt_count":29,"created_at":19,"updated_at":20},"\u002Fuploads\u002Fcovers\u002F2085606945755693556.jpg",632,17263,"the-gas-station-escape-part-one-693556","https:\u002F\u002Fx.com\u002FManuAGI01\u002Fstatus\u002F2085606945755693556","加油站逃亡故事·上篇的原生视频效果，原作者在 X 上完整公开了生成 Prompt。 原生视频规格为 15 秒 · 2560×1440。原帖完整公开了 Prompt，本页按原文保留。","The original creator published the complete generation prompt for the gas-station escape, part one on X. Native-video output: 15s · 2560×1440. 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Native-video output: 15s · 2560×1440. 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